Bibliography
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(click bullet with white text - or simple white text or picture - to get target page) |
2009 |
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Contemporary Impressions |
The 2009 Southern Graphics Council Conference, March 25 to 29, 2009, hosted by Columbia College Chicago, features keynote speakers Kathan Brown, Enrique Chagoya, Anne Coffin and Jane Hammond. Printmaking is the art most responsive to changing technologies, while retaining many otherwise obsolete techniques. We employ the latest digital imaging tools and centuries-old techniques for hand mark-making. We make exquisite, precious objects and democratic gestures. We are able to share our imagery and processes with anyone, anytime while also creating community, dialogue and collaboration in our own shops. As our world becomes increasingly interdependent, local practices are at once threatened, celebrated, worthy of preservation and dangerously divisive. As printmakers, our medium is likewise evolving, Its borders increasingly permeable. Our traditions are a source of strength, but also a source of isolation. Prints can be made and exhibitions can be mounted in ways that break away from sterile white walls to include installations, printed artists' books, graffiti prints and paste-ups on city streets, 'zines and comics, ever work that exists only in cyberspace.  Panel topics include printmaking with "green" methods and with extreme technology, printmaking as a grass-roots form of public interchange and international cooperation, and cultural exchanges with countries nearby (Canada) and far away (India and China). Among the print exhibitions at over 40 locations around Chicago: • Contemporary Prints from Australia • Images of Death and Life, a survey of prints by Kathe Kollwitz • The Ceramic Print • Makeready, Choke, Bleed, and Knockout, books by artist-printers who print everything from inexpensive multiples to deluxe editions on high-speed rotary offset litho presses • Moonlight Cocktails are the Thing, complex, colorful and whimsical etchings by David Driesbach • The Mayor of Palookaville, artist's books by David Johnson • Human Doings, work by Adriane Herman and Fresh Hot Press • Boombox, screenprinted showbills for bands by some of Chicago's hottest young talent • Sueños en Relieve: Prints by René Hugo Arceo, stylized figurative narratives informed by the artist's upbringing and experiences in Mexico  René Hugo Arceo, El Poeta, 2008, Color screenprint, 22 x 16". From the suite Seríe 15 for the 15th anniversary of the Seríe Project, Austin; see Contemporary Impressions, Spring 2002 (vol. 10 #1) • Rebellious Integration, an exchange portfolio at the Chicago Printmakers Collaborative, prints by artists who subversively challenge the system they depend on for subsistence. Exhibitions mostly run from mid March to mid April; check the conference website for venues. |
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Source: Contemporary Impressions, Volume 16, #2, Fall • Winter 2008, page 31 ISNN: 1066-9434 Contemporary Impressions is published twice a year by the American Print Alliance, non-profit consortium of printmakers' councils; federal tax-exempt status 501(c)(3).  American Print Alliance, 302 Larkspur Turn, Peachtree City, GA 30269-2210 www.printalliance.org |
2008 |
 Olga U. Herrera (with a foreword by Víctor Sorell and Gilberto Cárdenas): Toward the Preservation of a Heritage: Latin American and Latino Art in the Midwestern United States Research from the first year of the Midwest Latino Arts Documentary Heritage Project with a Chronological Overview, Selected Bibliography, and Exhibition Lists. Institute for Latino Studies, University of Notre Dame.  "MidLAD, the Midwest Latino Arts Documentary Heritage Project, an ongoing, multi-year initiative to locate and preserve primary sources critical to the study of the history of Latino arts and to the understanding of its contribution to American culture and to our communities." More info - http://latinostudies.nd.edu Download and read whole publication (.pdf) from: www.midlad.org:8084/HeritageWeb.pdf or from our source (in this very site). |
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U.S. Fish and Wildlife Service, May 2008 Artist Quarter Connecting People with Nature Valerie Rose, Redmond External Affairs Cinco de Mayo: Celebrating the Work of René Hugo Arceo "Latin Americans have a deep connection with nature and enjoy being in the outdoors as an extension of their places of origin. So, if opportunities are provided they will participate" - Arceo explains.... ( read more ) |
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EL'SUR, Acapulco - CULTURA Bestiario y Nahuales, grabados de artistas de 5 países en la Casa Borda de Taxco Reune a creadores de Estados Unidos, Francia, Iglaterra y Japón, entre otros Lunes 7 de Enero - Sábado 10 de Mayo de 2008 Monday, January 7 - Saturday, May 10, 2008 Claudio Viveros Hernández, Taxco "En la presentación de la muestra, el maestro René Hugo Arceo, graduado del Art Institute of Chicago en 1985, quien ha expuesto en varios países y cuenta con valiosos premios y reconocimientos, apunta que Bestiario es un tema universal que cada artista reconoce y Nahuales es una palabra azteca que se refiere al alma de un animal que actúa como protector de un humano. Un tipo de "ángel guardián", se puede decir, pero sin la trivialidad o la superficialidad que hoy cargamos en este término globalizado..." ( read more ) |
2007 |
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Puentes. Revista méxico-chicana de literatura, cultura y arte Puentes: revista mexico-chicana de literatura, cultura y arte was founded in 2003 to promote Chicano and Mexican literature, culture and art. The journal is divided into sections of "Ensayo/Crítica" (Essay/Criticism), "Narrativa" (Narrative), "Poesía" (Poetry), "Testimonio" (Testimony), "Entrevista" (Interview) and "Arte" (Art). The journal publishes works written in English and Spanish but emphasis is given to works written in Spanish as a way to promote and maintain the Spanish language among Chicanos/as and our Spanish-speaking communities across the country. Puentes is published once a year and is funded in part by the College of Liberal Arts and the Office of the Provost of Texas A&M University-Corpus Christi and by private donors.  Chicano Movement Revisited: Un Segundo Renacimiento. Número 5, Otoño 2007 (Release Date: August 2007, ISNN: 1556-8156) Arte: René Hugo Arceo: Mictlan (portada / front cover); Calaca cantando; El cuentista; Zapata renace; Forward Motion; Whisper of Taste; Eclipse of Tonatzín (contraportada / back cover). |
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Global Matrix II: An International Print Exhibition Craig Martin, Sean Caulfield, Kathryn Reeves and Kimberly Vito (curators)  Global Matrix II: An International Print Exhibition. Exhibition catalogue  published by Purdue University Galleries, West Lafayette, IN (January 2007) |
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Catalog 'Raiz del Tiempo', 2006/2007 - back (left) and front (right) cover |
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( click for more about catalog on separate page - + acknowledgements by Author & text by Julio Rangel ) |
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2006 
Julio Rangel. The Prints of René H. ArceoCatalog. Association Pour l’Estampe et l’Art Populaire, Paris, France - October 2006 / Casa Michoacan Gallery, Chicago, IL |
2005 |
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La Raza Newspaper, Chicago, Illinois; La Raza Online,
Member of Hispanic Digital Network |
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1810-1821: El proceso de la Independencia |
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El proceso de la Independencia de México comienza con el "Grito de Dolores". Se concretará - como hecho historico irreversible - recién en 1821, sobre bases sociales y politicas bastante diferentes a la prédica revolucionaria de Hidalgo y Morelos. |
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Iván González, La Raza online, publicado el 09-20-2005 |
Read whole article >>> |
2004 Exponen Seis en Chicago. Redacción, La Voz de Michoacán. Jueves 23 de diciembre de 2004 (Morelia, México)
Julio Rangel. Travesias e Intuiciones: La obra de René ArceoContratiempo, numero 14, junio, 2004 (Chicago, IL), pp. 14-19
Mary Erickson, Pat Villeneuve, Gary D. Keller: Chicano Art for Our MillenniumCollected Works from the Arizona State University Community Published by Bilingual Press/Editorial Bilingue (AZ) (April 2004) Beatriz Zalce. Zalce: tiempo y testimonio, proyecto binacional. Fundación Cultural Alfredo Zalce (Morelia, México), pp. 15 |
2003
José Agustín Andréu. René Arceo: convergencia de lo místico
y lo realDiturna: Creación y Cultura, Numero 15 XI-XII, 2003 (Morelia, México), pp. 18-19
Gaspar Aguilera Díaz. René Arceo: testimonio estético de nuestros díasDiturna: Creación y Cultura, Numero 15, XI-XII, 2003 (Morelia, México), pp. 20-26 Claudia Aguilar. Participan Seis creadores chicanos en el proyecto Bajo un Mismo Cielo. Cambio de Michoacán, jueves, 19 de junio de 2003 (Morelia, México), pp. 28 Claudia Aguilar. La aventura del artista migrante. Cambio de Michoacán, sábado 5 de julio de 2003 (Morelia, México), pp. 28 Daniela Morales. Presentan "Bajo un Mismo Cielo." Cambio de Michoacán, sábado 5 de julio de 2003 (Morelia, México), sección D, pp. 2 |
2002
Gary D. Keller. Contemporary Chicana & Chicano ArtVolumes I & II, 2002, Bilingual Press / Editorial Bilingüe, Hispanic Research Center, Arizona State University (Tempe, AZ), pp. 50, 51, 180 & 204
José Agustin Andreu: 'New Expressions - Ancient Roots'Brochure for Poland exhibitions (Zamosc, Lublin) 2002 René Hugo Arceo: Nowe ekspresje - antyczne korzenie. Akademicki Miesięcznik Kulturalny (Lublin, Poland), pp. 21 René Hugo Arceo (Meksyk). Mikołajki Folkowe 2002 (Lublin, Poland), pp. 18 |
2001
Tim Brouk. Purdue exhibit shows off new art acquisitionsJournal and Courier, Sunday, June 3, 2001 (West LaFayette, IN), pp. E2 Faces of OLCECE. The Spotlight, Office of Language, Cultural & Early Childhood Education / CPS. Spring & Summer, 2001 (Chicago, IL), pp. 19 |
2000
Dylan Miner. Printmakers from the Taller Méxicano de GrabadoCarlos A. Cortez, René Arceo & Tomas Bringas. Into the Center: Images for the New Millennium, 2000, Western Michigan University (Kalamazoo, MI), pp. 24-25 Rachel Koetje. Three Mexican Printmakers Visiting Artists at Western. Kalamazoo Gazette, (Kalamazoo, MI), Sunday, November 12, 2000 |
1997 Lucia Mauro. Day of the Dead brought to life in Oak Park. Diversions, News and Views of the Arts, 1997 (Oak Park, IL), pp. B13 & B16 |
1995
Deborah Price. 'Alternate Currents' Showcases Méxican
American ArtistsFootnotes Oak Park Public Library, Fall 1995 (Oak Park, IL), pp. 1 Maria G. García, Roberto Buitrón & Mario Enrique Castillo. Latino Artists in the Chicago and Calumet Region. Exhibition catalogue. The Center for the Visual & Performing Arts, Northern Indiana Arts Association (Munster, IN), pp. 8 & 18 René H. Arceo. Día de los Muertos. Exhibition brochure from the Oak Park Art League, 1995 (Oak Park, IL) |
1994 Monumental Woodcut "Migration to Chicago." Taller Mexicano de Grabado brochure, 1994 (Chicago, IL) |
1993 Renée Enna. Celebrating the Art of Mexico. Diversions, Pioneer Press, 1993 (Oak Park, IL), pp. B5 and B8 |
1991 Erendira Vargas. Espontaneidad e imaginación en la obra de René Arceo. La Voz de Michoacán, jueves, 10 de enero de 1991 (Morelia, México), pp. 6-B |
1990
Printmaking workshop focus is Mexican artHerald News, Sunday, April 1, 1990 (Joliet, IL), pp.
Tessa Corona. Obra Grafica de René Arceo FrutosExhibition brochure, 1990 (México, D. F.) |
1989
Ted C. Fishman: Sobre El GrabadoPeriodico New City, Chicago 7 de diciembre de 1989 |
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Imaginalia |
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